A powerful statement on the bandoneon
Carel Kraayenhof Ensemble
Liberacion (Bando Dreams)
The current situation in the world brings engagement back in pop music. Last week Bob Geldof announced his Band Aid project against Ebola, Izaline Calister and Leoni Jansen started their protest song tour ‘Barricade’ and Carel Kraayenhof’s latest album ‘Liberación’ was released. With this the greatest bandoneón player in the world is asking attention for all refugees who, forced by political or economical circumstances, had to leave home and loved ones behind.
‘This is how the tango originated, from the fusion-music of migrants; keeping alive the hope for a better future’, he stated on the CD booklet.
The CD starts with the sound of the sea, the symbol for a connection to freedom as well as a frightening escape route. Titles like ‘Aleppo’ and ‘Lampedusa’ say enough.
Not one instrument is so complex as the bandoneón. It plays rhythm and melody together and possesses a melancholic and resilient character at the same time.
Kraayenhof’s playing – vigorous, sad and tough – reflects in all buttons his powerful statement. Piano and strings surround him comforting and evocative sounds delivering powerful counter play. Even the widely known ‘Libertango’, that for composer Astor Piazzolla symbolized liberation from the traditional tango, now gets a beautiful new arrangement and with that, a new interpretation.
Mr. Geldof, may Kraayenhof also take part at the Band Aid event?